At the 2012 Conference on College Composition and Communication, three well-known scholars of composition led a discussion on a writing exercise they'd assigned themselves. Each wrote for an hour a day for a 30-day month on an everyday object, a consciousness-raising activity that revealed much about the the objects examined and the writers themselves. We've taken it upon ourselves to replicate this exercise and record the results here.
Monday, April 30, 2012
Day 29: Lobject’s bookmark
Thursday, April 12, 2012
Day 12: Pobject's bookmark
There’s no room for error in the note she’d left:
“Eye drops
Tears Naturale
2 Waters
No snacks
Mechano Pens Black Pilot
Ex. Fine”
Not just any eye drops would do.
I tried to get a picture of the person who wrote the note. Dry-eyed, dutifully dedicated to a strict dietary routine, and very particular about the pens she used.
I pulled the note from where I’d found it, parting pages 108 and 109 of William Carlos Williams’s Selected Poems, sitting between Franklin Square and Breughel’s dancers. How odd, I thought, that someone so regimented (was she not the one who underlined, straightedge in hand, the five full lines on page x?) could find pleasure in this free-flowing verse.
I turned to “To Waken an Old Lady” and slipped the note in there, letting it rest on the snow with the flock of cheeping birds.
Sunday, April 1, 2012
Bookmark
Considering how advanced the cancer is, Ellie probably has less than eight months left… My head spins… His heart’s not strong enough to make it through the night; you should say your goodbyes now. I could hear Wetsch’s echo: “This has become a familiar speech genre.”